fieldwork           nightstand           daydream          &c;


mmxxv

Barkan, Leonard. Mute Poetry, Speaking Pictures. 2012.
Danto, Arthur C. After the End of Art. 1996.
Girard, René. Things Hidden Since the Foundation of the World. 1987.
Graham-Dixon, Andrew. Caravaggio: A Life Sacred and Profane. 2010.
Grootenboer, Hanneke. The Rhetoric of Perspective. 2006.
Kantorowicz, Ernst. The King's Two Bodies. 1957.
King, Ross. Defiant Spirits: The Modernist Revolution of the Group of Seven. 2010.
St. Clair, Kassia. The Secret Lives of Colour. 2017.
Yablo, Stephen. Aboutness. 2014.

mmxxiv

Baker, Jo. Longbourn. 2013.
Berwick, Robert C. and Noam Chomsky. Language and Evolution. 2016.
Brusatte, Stephen L. Rise and Reign of the Mammals. 2022.
Daum, Raymond. Walking with Garbo. 1991.
Fenves, Peter. Arresting Language. 2002.
Kuehn, Manfred. Kant. 2001.
Ponge, Francis. Soap. 1969.
Spacks, Patricia Meyer. On Rereading. 2011.
Storey, Robert. Mimesis and the Human Animal. 1996.

mmxxiii

Ballaster, Ros. Fictions of Presence. 2020.
Dabashi, Pardis. Losing the Plot. 2023.
Hindson, Catherine. Theatre in the Chocolate Factory. 2023.
Holland, Peter. Shakespeare and Forgetting. 2021.
Kelsay, Isabelle Thompson. Joseph Brant. 1984.
Lawtoo, Nidesh. Homo-Mimeticus. 2022.
Maturana, Humberto and F.J. Varela. Autopoiesis and Cognition. 1980.
Miller, Andrew. On Not Being Someone Else. 2020.
O'Quinn, Daniel. Corrosive Solace. 2022.

mmxxii

Berlant, Lauren. On the Inconvenience of Other People. 2022.
Brim, Orville. Look At Me! The Fame Motive from Childhood to Death. 2009.
Calasso, Roberto. The Unnamable Present. 2017.
Carlson, Marvin. Theatre Is More Beautiful Than War. 2009.
Dillon, Elizabeth Maddock. New World Drama. 2014.
DuBois, Page. Democratic Swarms. 2022.
Elliott, J. H., et. al. The World of the Favourite. 1999.
Freeman, Lisa. Antitheatricality and the Body Public. 2017.
Genette, Gérard. Mimologics. 1995.
Goldgar, Anne. Tulipmania. 2008.
Lilti, Antoine. The Invention of Celebrity. 2015.
Sidwell, Keith. Aristophanes the Democrat. 2009.

mmxxi

Byrne, Paula. Perdita: The Literary, Theatrical, Scandalous Life of Mary Robinson. 2004.
Fleecs, Tony, et. al. Stray Dogs. 2021.
Hall, Edith, et. al. Aristophanes in Performance, 421 BC-AD 2007: Peace, Birds, Frogs. 2007.
Johnson, Odai. Rehearsing the Revolution. 2000.
Keaton, Buster. My Wonderful World of Slapstick. 1960.
Simpson-Housley, Paul, et. al. A Few Acres of Snow. 1992.
Smith, Zadie. Intimations. 2020.
Spacks, Patricia Meyer. Gossip. 1985.
Walpole, Horace. Anecdotes of Painting in England. [c.] 1762-1771.

mmxx

Asano, Inio. Downfall. 2020.
Fawcett, Julia H. Spectacular Disappearances: Celebrity and Privacy, 1696-1801. 2016.
Genette, Gérard. Palimpsests: Literature in the Second Degree. 1997.
Johnson, Odai. London in a Box: Englishness and Theatre in Revolutionary America. 2017.
Joncus, Berta. Kitty Clive, or The Fair Songster. 2019.
Kant, Immanuel. Perpetual Peace: A Philosophical Sketch. 1795. 
McPherson, Heather. Art and Celebrity in the Age of Reynolds and Siddons. 2017.
Milhous, Judith and R. D. Hume. Producible Interpretation: Eight English Plays, 1675-1707. 1985.
Morgan, Fidelis. The Well-Known Troublemaker: A Life of Charlotte Charke. 1989.
Ngai, Sianne. Theory of the Gimmick: Aesthetic Judgment and Capitalist Form. 2020.

mmxix

Blake, Robin. Anthony Van Dyck: A Life, 1599-1641. 2000.
Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. 2001.
Nussbaum, Emily. I Like to Watch: Arguing My Way Through the TV Revolution. 2019.
O'Quinn, Daniel. Entertaining Crisis in the Atlantic Imperium, 1770-1790. 2011.
Pascoe, Judith. The Sarah Siddons Audio Files: Romanticism and the Lost Voice. 2011.
Ritchie, Leslie. David Garrick and the Mediation of Celebrity. 2019. 
Smith, Zadie. Feel Free. 2018.

mmxviii

Agamben, Giorgio. Taste. 1979.
Asano, Inio. Dead Dead Demon's Dededede Destruction. 2017.
Barthes, Roland. The Language of Fashion. 2004.
Bowles, Hamish, et al. Vogue & the Metropolitan Museum of Art Costume Institute. 2014.
Berkeley, George. A New Theory of Vision. 1709.
Johnson, Emily Pauline. Flint and Feather. 1912.
Oshimi, Shūzō.  The Flowers of Evil: Vols. 1-3. 2017.
Said, Edward W. Orientalism. 1978.
Smith, Dane F. Plays About the Theatre in England, 1671-1737. 1936.
Woolf, Virginia. Kew Gardens. 1919.

mmxvii

Adachi, Mitsuru. Cross Game: Vols. 1-8. 2009-2012.
—.  Short Program: Vol. 1. 2000.
Adorno, Theodor W. Aesthetic Theory. 1970.
Agamben, Giorgio. The Use of Bodies. 2014.
Castle, Terry. The Professor: A Sentimental Education. 2010.
Kant, Immanuel. Anthropology, History, and Education. [c.] 1763-1803.
McIntyre, Ian. Garrick. 1999.
Ngai, Sianne. Our Aesthetic Categories. 2012.
—. Ugly Feelings. 2005. 
Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. 1996.
—.  It. 2007.
Sedgwick, Eve Kosofsky. Touching Feeling: Affect, Pedagogy, Performativity. 2003.
Toriyama, Akira. Dr. Slump: Vols. 1-5. 2005-6.
Williams, Raymond.  Television: Technology and Cultural Form. 1974.

mmxvi

Auerback, Erich. Mimesis: The Representation of Reality in Western Literature. 1953.
Brautigan, Richard. In Watermelon Sugar. 1968.
—. The Pill Versus the Springhill Mine Disaster. 1968.
Brooke, Frances. The History of Emily Montague. 1769.
Fielding, Henry. Amelia. 1751.
Horkeimer, Max and Theodor W. Adorno.  Dialectic of Enlightenment. 1947.
Jacques, Brian. Outcast of Redwall. 1995.
Mackay, Charles. Extraordinary Popular Delusions and the Madness of Crowds. 1841.
Propp, Vladimir. Theory and History of Folklore. 1984.
Spacks, Patricia Meyer.  Boredom: The Literary History of a State of Mind. 1995.
Spinoza, Baruch.  Ethics. 1677.
Williams, Raymond. Culture and Materialism. 2005.  
 

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